As we see our final harmless snow flurries for the season, we have our final ten movies for this series A Designer's Winter Hibernation Film List. These special selections come from our own David Craun, and from film curator & blogger Tim Peyton. Some take place in colorful and mysterious cities and spaces, and in many cases, these cities and spaces live and breathe as actors themselves.

Amelie (2001)

DAVID CRAUN, Senior Associate, Bialosky + Partners Architects For design inspiration, I often find myself turning away from architecture and towards other artistic mediums like film that can spark my imagination and change my point of view – this, to me is the true meaning of inspiration.  Oddly enough, the following five films can all be categorized under Romantic Comedy, a result that even I was surprised by when compiling the list.  If you think about it, however, fusing Romance + Comedy results in a full expression of human emotions.  Evoking an emotion through design, or “delight”, (as Vitruvius would say), is one of the most difficult but essential aspects of good design.  Also of note are two underlying themes in the following films that were not, altogether, intentional.   The first being that 3 of 5 films are foreign films and the other two are very low on dialogue – forcing the viewer to focus more on the visual and emotional aspect of the films.  The second being that 4 of 5 films are indirectly about architecture, either by character or by setting, which clearly points to the fact that we architects and urbanites are truly doomed romantics.

1. Moonrise Kingdom (2012) : The story of two twelve-year-olds who fall in love, make a secret pact, and run away together into the wilderness. (Wes Anderson’s most beautiful movie to date - a hard won title over Life Aquatic – also stunning!).
2. Sidewalls (2011) - A clever romantic comedy examining with charm how the architecture of a city conditions the lives of two of its residents. (A great depiction of modern urban planning and the love/hate relationship of high density living by its residents – not to mention a subplot involving an aspiring architect finding other means for creative output).
3. (500) Days of Summer (2009) : A nonlinear romantic comedy about a man who falls head over heels for a woman who doesn't believe in love. (Also indirectly about architecture and an aspiring architect stuck in an unrelated, but creative career).
4. Paris, je t’aime (2006) : Twenty acclaimed filmmakers from around the world look at love in the City of Lights in this omnibus feature. (With 18 short films in all, there is a little something for everyone – oh, and the city itself is the main character, as you might have guessed).
5. Amelie (2001) : One woman decides to change the world by changing the lives of the people she knows in this charming and romantic comic fantasy from director Jean-Pierre Jeunet. (Possibly my favorite film of all time – delightful, quirky and absolutely beautiful).

2 or 3 Things I Know About Her (1967)

TIM PEYTON, Film Curator, Akron Film + Pixel and Film Blogger

1. Los Angeles Plays Itself (2003) : Like Mike Daviessic book 'City of Quartz' , Thom Anderson's archival essay film "Los Angeles Plays Itself"  is a radical look at the mesmerizing and highly misunderstood metropolis that is Los Angeles. Anderson uses hundreds of copyrighted film clips throughout the history of Hollywood and constructs a film about Los Angeles that speaks most profoundly about how the unconscious works in creating perceptions of places, thus also people and culture,  and how these images can be misleading and distorting. Anderson uses the power of editing and splicing found images as agency to reclaim the city he loves and lives in.  Film as political discourse in the most intimate way.
2.  2 or 3 things I Know About Her (1967) :  Staring into a coffee cup, Godard as narrator whispers “I have to listen more then ever, I have to look around me”.  In this sprawling philosophical film that is about nearly everything under the sun we follow Julliette Jansons (played by Marina Vlady ), a Parisian housewife who decides to start prostituting herself in order to make more money. Godard whispers essay-like observations concerning his fears of consumer culture while the beautiful camera work by Raoul Coutard shows us the construction on the new banlieus ( the suburbs ) of Paris. Godard's thesis is that buildings and environments help construct ideologies. We need to look around ourselves and listen to what they are saying.
3. The Shining (1980) :  This film really scared me as a child and it actually was not till a few years ago that I became re-introduced to it and then found myself obsessing over it.  Everyone looks terrified in the movie, like the spectre haunting the hotel is an illness of fear. The illness's symptoms are making Shelly Duvall bruise and decompose, while it seems like Jack Nicholson is working his way threw the incubation period of a rabies infection. It's not the actual hotel that is the star structure of the piece but the art and set design that is the interior of the film. The red carpets and the red bathroom, this bathroom being the location of one of my favorite scenes in film history were through a series of questions and answers Nicholson comes to know that he has always been the caretaker.  This is architectural horror at its scariest.
4. 24 city (2008) : In this moving film that is part documentary part narrative, we meet the real workers of an airplane engine state – owned factory in Chengdu, China. In these interviews with three generations of people we learn about their time living and working at the factory that is in the process of closing to become an apartment complex also called “24 City”. The film is beautifully shot and has the unique position of having an actual living memory of a building and a time and place in this rapidly changing and continuing urban experiment that is modern day China.
5. Journey to Italy (1954) : An aging couple, whose marriage is on the rocks, take a trip to Italy- a place whose very landscape is a museum of history and art. The structure of the film works in repetitive stages, we see the couple fight (Ingrid Bergmen and George Sanders) then the husband takes off to drink and flirt while we are left with his wife who travels to old religious sites and catacombs by herself. Eventually this leads up to the husband and wife's pinnacle fight at the ruins of Pompeii where they witness the archaeological unveiling of a couple embracing who have been mummified for centuries. Because of the way the structure of the film works we experience the tension and anxiety of a couples' quarrel and uncertain future and then we also experience, in an almost documentary style, the reflection of time, history and art while being at these magnificent locations, that like the film, is were built as an alchemic process that brings out the most that life has to offer in us.

Presenting the third installment of the blog series, A Designer's Winter Hibernation Film List, where both a designer from our office and a local design/film voice offer their top movies with a design/architectural/spatial element. This post features one of our newest BPA designers, Ted Ferringer. Additionally, Ted Sikora, director of Hero Tomorrow, and Professor Diane Davis-Sikora offer a joint list of films. (You'll notice all of today's film connoisseurs featured Manufactured Landscapes.)

Stranger Than Paradise (1984)TED FERRINGER, Associate AIA, Bialosky + Partners Architects This is a list of movies have been influential in developing my design thinking. Some directly speak to architectural issues, others are slightly more amorphous and tangentially related. This list is personal, it is not meant as an influential list to the architecture profession as a whole, which would surely look much different. 1. Eternal Sunshine of The Spotless Mind (2004): Produced by Michel Gondry, Eternal Sunshine is at once a surreal, melancholic, existential and whimsical trip through the nature of love and memory. The story, based around two ex-lovers, who “meet” after jointly but separately having their memories of one another selectively erased, is told in reverse from when they first (re)meet to backwards to their first (real) meeting. As notions on the relationship between time, place, and experience in design evolve, Eternal Sunshine offers a cautionary tale of happiness without memory or experience. 2. Zidane: A 21^st Century Portrait (2006): "23 April 2005, an ordinary day, will events be remembered or forgotten?" opens this documentary that follows the French soccer great through a Spanish La Liga match between his team, Real Madrid and Villareal. Unlike a traditional movie, much less a traditional sports documentary, very little context is given to the viewer to what is taking place in the rest of the match or on the pitch. Featuring a moving score by Scottish post-rock band, Mogwai, the viewer often has little idea which team has the ball, where on the pitch Zindane is or where active play is –through editing, this documentary reminds us context can be constructed and manipulated to frame a story. While never released in the United States commercially, locally, The Cinematheque at CIA has had a few showings. 3. Notes For Those Beginning The Discipline of Architecture: Alternate Ending 1 – The Glimmering Noise (2006): Finally a movie on this list directly about architecture. Expect it is not at all. Created by one of the freshest young voices of the post-starchitect generation of designers, Michael Merideth of MOS, through a part-manifesto, part-mockumentary, part-critique, part-post modern performance art, tackles the dynamics plaguing a profession that is questioning its role and importance in contemporary society. Notes For Those... speaks directly to the insecurities designers feel explaining their work. This film is a densely layered post-crash treatise for a profession trying to find a raison d'etre as a culturally and intellectually meaningful discipline. 4. Manufactured Landscapes (2006): Featuring Canadian photographer and visual artist Edward Burtynsky's documentation of how humans have altered the landscapes of Earth. Rather than utilizing statistics, data, and analysis to convince the viewer to re-examine their relationship between human consumption, capitalism, and the environment, Burtynsky uses the emotion and beauty of visual language to craft a moving argument; the viewer is left to examine their own relationship between the haunting industrial landscapes and personal ethics. 5. Stranger Than Paradise (1984): Jim Jarmusch's first feature film, this indie flick, using a cast of non-traditional actors captures much of the detachment and emptiness of urban American living in the 70s and 80s. Jarmusch uses an attitude that was influential in capturing the detached urban cool of New York City and to a lesser extent, the Rust Belt post-industrial style grit of Cleveland as aesthetics to embrace, not ignore, while not so subtly taking a pot-shot that the money, fun, and success found in the Sun Belt of America isn't the bill of goods it is sold as.

Renaissance (2006)

TED SIKORA, Cinematographer, Hero Tomorrow & DIANE DAVIS-SIKORA, Professor of Architecture, Kent State University

1. Manufactured Landscapes (2006): A documentary that follows photographer Ed Burtynsky in his quest to capture a collection of incredible, jarring man-made landscapes.   The imagery is both breathtaking and alarming in its scale and environmental impact with extraordinary cinematography, including a haunting eight-minute opening dolly shot inside a massive Chinese factory.
2. Dreams (1990): Film legend Akira Kurosawa crafts a series of his personal dreams in this surreal collection of short films.  Kurosawa introduces us to weeping demons, peach tree spirits, and ghostly soldiers, in gorgeous settings that include erupting volcanoes,  blizzards, waterwheel villages, and a walkable path within the brush stokes of van Gogh.   The result is unlike anything you’ve ever experienced within your waking life.
3. Waking Life (2001): Shot on cheap dv cameras, then painstakingly rotoscoped, the film is both cinematically groundbreaking and intellectually profound.  Is it a dream or an after-death experience?  We can’t quite remember, but wow.
4. Renaissance (2006): A beautiful high contrast, black-and-white, animated film executed exclusively through the use of motion capture and computer graphics.  The film’s highly stylized 3D animation is extraordinary in its depiction of Paris (circa 2054).
5. Cube (1997): Natali’s Cube offers a technological game of cat and mouse.  Set within and sterile giant morphing ‘Rubik’s-cube-like’ space, this 92-minute journey is sci-fi maze of terror like no other.
6. Arts Prize Channel (2011- present): A short documentary series by Ted Sikora, now with 34 films on some of Cleveland’s most diverse and talented folks who have had the honor of winning The Cleveland Arts Prize.  www.artsprize.com