January 6, 2018

DesignWELL—A Recap of the Conference on Creating Wellbeing

I recently had the opportunity to attend the DesignWell conference in San Diego with fellow wellness-minded designers and architects. For those of you who didn’t make it, here are three things you missed. 

Lesson 1: People, Not Profit

Eric Corey Freed, founder of organicARCHITECT, opened the first day by issuing a challenge: to change the way we measure success. After all, the importance of a space is not how fast it turns a profit but rather the way it makes you feel. So why are we still using ROI (Return On Investment) as the primary metric of architectural success? It’s time to turn our focus to the people and start measuring success by the impact on the humans who inhabit the space.

Eric, of course, was not the only one to challenge our way of thinking. He opened the conference for a slew of speakers reminding us that we need to put the people first. A message that was woven into the fabric of every presentation: We need to humanize the conversation.

Lesson 2: Understand the People

While people over profit is an easy concept to get behind, it’s not always a clear path. As Kay Sargent so eloquently said, “We have to understand the people we are designing for and the experiences we are creating for them”.

Rex Miller, Dr. Mike O’Neill, and Phil Williams, the co-authors of “The Healthy Workplace Nudge”, suggested we focus on a new central question: Are we designing spaces that make people healthier and happier? They reminded us that the spaces we design can be a powerful tool for encouraging healthier behavior if we understand the way people will behave.

Sally Augustin, Principal at Design With Science, reminded us that we have science on our side. Even when we can’t predict how people will behave, science has taught us the physiological and neurological impact of our environments. By understanding the science we can shape the way people feel in our spaces.

Lesson 3: It Takes a Village

In the murmurings between sessions and the dialogues during Q+A, we kept coming back to the same question: How do we change an entire industry? Tim Conway, VP of Sustainable Development for Shaw Industries, reminded us that it will take more than one person. We must work together to do better. Along with Veronica Schreibeis-Smith stating, “We can do better - today, not tomorrow”.

For more information on this topic, DesignWell has provided the presentations of the event's speakers at their website.

December 28, 2017

How Nontraditional Partnerships Can Benefit Your Project

Mark Olson, writes on the value of creative partnerships. Learn how strategic collaborations, including public-private partnerships, have advanced diverse projects in his article for Smart Business magazine.

Read the whole article here:
http://www.sbnonline.com/article/how-nontraditional-partnerships-can-benefit-your-next-project/

December 6, 2017

The Road to VR: Our Office’s Leap into Virtual Reality

( 12 milestones of virtual reality ; https://versus.com/en/news/the-12-milestones-in-the-history-of-virtual-reality)

A Brief History of Virtual Reality

Virtual Reality (VR) has been a long fascination of “techies” for decades. It began in the 1950’s with the “sensorama”. Marketed as “the cinema of the future”, it incorporated multisensory elements such as aromas, body tilting, projection of 3D imagery, and wind bursts. Falling short of its romanticized goals, the interest was largely forgotten by the public for decades.  In 1985, NASA adapted a helmet for astronauts to control robots and mechanisms outside the space station, which mitigated the hazards of the physical environs, such as radiation, space debris, and being set adrift. This innovation, called the VVED (Virtual Visual Environment Display), successfully emulated a 360 degree environment. Again, the innovation largely fell by the wayside until 2011. As cell phones became increasingly more powerful, more avenues of mobility and technology converged, which opened new (or rather old) doors of creativity. Enter the iPhone Virtual Reality Viewer. When this consumer-friendly product came to market, it re-ignited a VR craze for a third time. The popularity of cell phone viewers encouraged large corporations such as HTC, Oculus/Facebook, and PlayStation to invest serious capital into developing affordable, widely accessible systems (ensuring the technology was here to stay). Today, Virtual Reality has broad applications beyond entertainment and gaming; it has become an invaluable resource for industries such as healthcare, education, the military, and architecture.

Theory and Research in HCI: Morton Heilig, Pioneer in Virtual Reality Research; 19 Sept 2008; Break out your Nintendo virtual boy, VR is (almost) here!

Investigating VR Hardware for our Office

When our office committed to investing in a VR system, we committed hours of research and testing for the most immersive experience possible. After exhaustive research, our office established that portability, power, and expandability were the primary priorities.

As a response to portability, an Alienware 15 laptop was selected. The critical spec include the following; i7-7820HK processor, 16GB DDR4 @2667 MHZ of ram, 512 SSD(boot drive) + 1TB SATA, NVIDIA GeForce GTX 1070 w/ 8 GB GDDR5 graphics card. We concluded that this was not only the most powerful initial build, but also the most scalable model; Alienware’s build philosophy allows for expandable computers and even provides diagrams for do-it-yourself upgrading. In our experience, the concept has been successful and still allows us to anticipate evolutions in the technology as it becomes more developed and sophisticated.

The VR hardware we chose was the Oculus headset with Oculus Touch controllers and three room-bounding sensors. Being more compact than their competitors and having their center of gravity around your hands (as opposed to in front of the users hands), the Oculus Touch allows the controllers to disappear while within the VR environment. The button locations and angles are also ergonomically based to produce the same result. Most importantly, high-use button controls are exactly where you expect and want them to be. In contrast, the menu buttons are designed to be out of the way, so they are only accessed with intention, not by accident. For the full emersion to be believed, the experience needed to be intuitive and mitigate factors that could dissolve the illusion, such as buttons being unintentionally pressed. Ideally, the goal of Virtual Reality is that the device itself should become the invisible framework, allowing creativity (or fun) to occur unabated.  With all these considerations, The Oculus became the obvious choice and has since been reinforced after their announcement that a wireless headset is in development.

We also have chosen to connect most of the assembly into the “Dell DisplayLink 4k Plug and Play”. This allows multiple USB 2.0 and USB 3.0 connections WITHOUT loss of signal or downgrading the signal. The added benefit is having a consolidated and cleaner setup. The displaylink also allows us to project onto a screen and/or mobile TV display in order to enhance communication to those outside of the head set. We chose our software based on seamless integration into our current workflow and quality of the output. As secondary criterion, it needed to have an intuitive interface, both in the VR environment and the software’s user interface itself. The first software chosen as our platform was intended to be the icebreaker for the firm and allow everyone to easily understand how critical it was to start our entry and participation into this community.

An important dimension of adopting VR into the office was designating and equipping appropriate areas to use it. A permanent VR workspace was established in our office, as well as a portable workspace, which allows designers to bring the device to clients, interviews, and even home to develop projects/ideas at their leisure (or as necessary).

University of South Carolina - Beaufort | Hospitality Management Center | Main Entry Section

Informing the Design Process

Virtual Reality has the ability to solve many of our contemporary problems. How do we streamline our workflow? Can this workflow incorporate 3D visuals? How do we not duplicate work to produce a rendering? Can the rendering communicate back to our initial “production” models? How can we have more productive meetings with clients? Do they accurately understand our concepts? These are just a few of the many questions the current VR technology/software has started to answer.

Informing the Design Process: Between Architect and Architect

Design is ever changing, and as a building evolves, it is a daunting task to catch and fully develop every possible detail which could arise. Virtual Reality is a quick way to actually jump into the drawings and see what hasn’t been developed, what is missing, and what hasn’t even been thought of yet. This is all possible with the pairing of Revit and Enscape through the eyes of the Oculus Rift. It is also a great platform to ensure an idea will have the intended result, without having to wait until experiencing the built product. We can become fully immersed within the new idea moments after its conception and determine if it is the best direction for the project… and most importantly, still during design. 

Revit isn’t a new software by industry standards, but Bialosky Cleveland is beginning to unlock its true potential. By enhancing Revit and creating a Virtual Reality experience, project teams can walk through their project in its infancy and easily spot potential trouble areas and conditions. Enscape allows for the team to discuss an issue, create several solutions to the problem, and even switch between these results quickly to make a decision all within a matter of minutes.

Cuyahoga Community College | Metro Campus Center

Informing the Design Process: Between Architect and Consultant

It is imperative during the design phase of a project that all members of the team coordinate their respective responsibilities in order to create a beautiful, functional end result. Virtual Reality is a quick and effective way to enhance this collaboration. When each discipline produces their drawings in Revit, Virtual Reality is able to efficiently show where conflicts arise. Coordinating the puzzle above the ceiling grid takes a lot of time and attention to detail but imagine being in the ceiling and seeing all of the mechanical and plumbing in front of your eyes. This is possible with Virtual Reality and again, allows for quick solutions. We hope to further integrate this technology to all in-house disciplines to assist in coordination meetings.

Private Office | New York, NY

Informing the Design Process: Between Architect and Client

Virtual Reality can also enrich communication with the client similar to how it aids within the design team. As designers, we sometimes forget that not everyone we work with has the same training as we do and everyone has different abilities in translating 2D drawings into a 3D space. By shifting the focus in the drawing process from 2D drawings into 3D modeling, the concept and intent of a particular form and design decision comes alive to everyone. A client can see their space more clearly, and with far fewer explanations of what a design decision will look like. Additionally, virtual models with the aid of VR can help publicize an upcoming facility to potential users, renters, and even project donors. Bialosky Cleveland recently completed a series of donor events for a private school in collaboration with the administration. Our team was able to walk the group through the vision for the space, address the school’s future, and demonstrate how their teaching aspirations would be accomplished in the space.

Joseph & Florence Mandel Jewish Day School | Beachwood, OH

Benefits Beyond Design: Construction Administration

Modeling created specifically for VR can also be useful as a communication tool during construction. A majority of the questions that arise during construction are caused by a miscommunication between team members. The virtual model allows for the designer to quickly export views to assist in clarifying or solving a given issue. This allows for timely responses to field questions and expedited, accurate solutions to keep projects on budget and on schedule.

Joseph & Florence Mandel Jewish Day School | Beachwood, OH

Not Just for Work, but for Fun

Virtual Reality can certainly enhance the workflow and outcome of the design process, but it also can be a fun team activity for staff.  We hosted a game night in mid-September for employees and their families to play diverse games together. Everything from a typical game night was there: card games, board games, console games, Oculus Rift games, and even pizza and soda for fuel. The Oculus was a big hit for every age group and let staff and family alike to gather, play, and experience this new technology together.

November 27, 2017

How the Design of Your Space Can Impact the Bottom Line

Sharing her expertise in programming and workplace strategy, Associate Principal Tracy Sciano Vajskop discusses how the design of a space can impact the bottom line, a perfect read, particularly for building owners, CEOs and anyone with a business.

Read the whole article here:
http://www.sbnonline.com/article/how-the-design-of-your-space-can-impact-the-bottom-line/

August 31, 2017

The Science of Light: An Investigation in the Bialosky Cleveland Lighting Lab

In our quest to create meaningful solutions that are innovative, responsive, enduring, and beautiful, Bialosky Cleveland has recently created a space in our office to explore the science of lighting and the way it informs our design. This article is the first in a series talking about the science of light, and intends to serve as "lighting 101".

Bialosky Cleveland - Lighting Lab

Light is energy transmitted through radiation without medium: this is energy the human eye is designed to read. To understand light and harness its power to shape vision and perception, we will look beyond its physical laws and examine the human response, both psychological and physiological. Rather than simply injecting light into a space, we are defining the space, allowing the users to comfortably interact with their environment.

Quality lighting design integrates properly with the form and composition of the architecture while providing for the needs of the user. We are constantly exploring new ways to improve life through the use of light. That’s why we’ve created a lighting laboratory here in our office with the help of USAI Lighting and Myriad Energy Solutions. It’s a visual tool we will use to educate ourselves, our consultants, and our clients concerning the science of light.

The lab consists of 10 recessed LED downlights (Infinite Color+ series by USAI Lighting) with the capability to fully control the Correlated Color Temperature (CCT) and Color Rendering Index (CRI) of the light, and to produce any color desired. Black body dimming, which is a more natural “dim to warm” function is also available.

All this allows us to manipulate light and perception during design to create unique and responsive solutions. Color temperature and color rendering both enrich and increase the accuracy of the visual experience. Now when we are selecting fabrics, room finishes, and colors, we can closely examine them under light with the same CRI and CCT as the lamps being proposed for the space.

Bialosky Cleveland - Lighting Lab

COLOR AND LIGHT

Isaac Newton, during his examination of the properties of dispersed light, passed a ray of white light through a prism and found he was able to divide it into bands of color. He reclaimed the original ray of white light by passing the bands of color through another prism. He correctly concluded that white light is a combination of wavelengths throughout the visible spectrum, each associated with a distinct color. This ranges from violet (the shortest wavelength in the visible spectrum) to red (the longest). The complete mixture of all the wavelengths of the visible spectrum produces white light. Our sun is a source of white light along with fluorescent bulbs and white LEDs. Some manufactured lighting sources cannot produce all of the wavelengths in the visible spectrum. So how is this measured and compared?

Among the metrics used in architectural applications to define the color quality are Correlated Color Temperature (CCT) and Color Rendering Index (CRI).

 

COLOR TEMPERATURE

Color temperature in measured in Kelvins (K), similar to the Celsius scale with equally sized units (degrees), but starting at absolute zero (0 degrees Kelvin = -273 degrees Celsius). A theoretical reference source called a black body radiator is used which when heated and glowing will shift in color with heat continuously along the visual spectrum.

Light sources that employ disproportionate levels of each wavelength are measured by CCT which compares to the black body radiator.

Color temperature, along with luminance patterns, is the most influential mood-setting feature of a space. The paramount purpose of lighting is to serve the needs of humans. This includes visibility, aesthetic judgement, social communication, visual comfort, mood, atmosphere, health, safety, and well-being. Understanding the effects of color temperature allows us to manipulate our design to deliberately create moods and enhance architecture.

Light plays a large role in controlling our circadian rhythm as well. The use of cooler CCT stops the production of melatonin in the body, increasing alertness. This discovery is rife with applications in areas such as education, health care, and the workplace, along with easing the symptoms of Alzheimers and Autism.

 

COLOR RENDERING

The color rendering index (CRI) is a measure of the ability of a lighting source to accurately render all wavelengths of its color spectrum when compared to a reference source. CRI is used to quantify a lamp’s ability to produce color in objects and it is rated on a scale of 0-100, with perfect rendering scoring 100.

Office space tasks require more than 80 CRI (and where food is involved), while warehouse tasks only require less than 50 CRI so you are roughly able to differentiate colors. Typically, luminaires providing more than 90 CRI are more expensive than the lower CRI models.

When testing CRI, your hand can be an effective reference to judge CRI on your skin tone. So, not only is the color rendering of objects or merchandise important, but also skin tone. We are able to offer this test in our lighting lab and it has surprised some of our clients.

 

 

Bialosky Cleveland continues to add diverse design tools including virtual reality, a laser cutter, and a 3D printer.  Our Lighting Lab is an example of how we employ the latest technology to offer comprehensive design to our clients.

Our goal is to provide quality lighting design which provides maximum value to our clients and supports the overall design intent. A quality design can differentiate spaces that are merely functional from those which people enjoy.

Our lighting lab is open for tours and demonstrations, and available as a resource to designers and researchers upon request. Please join us to experiment for yourself.

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