March 25, 2013

Bialosky + Partners Wins a Title at Cleveland Canstruction!

The Bialosky + Partners Architects CANstruction team would like to thank our sponsors for their generous donations.  Thanks to their help we were able to raise over $4,500 and purchase over 5,500 cans of food to donate to the Cleveland Foodbank during their Harvest for Hunger Campaign!

Freshly loaded off of the Uhaul, Bialosky's can-count was the highest among the teams with 5,500+ cans of food for Harvest for Hunger.

Freshly loaded off of the truck, Bialosky's can-count was the highest among the teams with 5,500+ cans of food for Harvest for Hunger.

With this year’s theme of “Cleveland Rocks”, our team created a can replica of the Cleveland Museum of Contemporary Art (MOCA) – the newest architectural “gem” in Cleveland.  Architecture and monuments circling around culture become precious rocks in our region- buildings such as MOCA renew and unite Cleveland. It’s these attitudes that are the “meat and potatoes” in fighting hunger. Luckily, this 5,500+ can structure has not only meat chili, and white potatoes, but also a variety of vegetables, organic black beans, tuna, pork & beans, and beef stew.

[vimeo width="600" height="400"]http://vimeo.com/62716514[/vimeo]

The BPA team was awarded the term “Can-Spirit” by the judges for the most enthusiasm and most cans donated by a single team.

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The Museum of Contemporary Art created by the 5,500 cans Bialosky raised. You can view all the designs at the Beachwood Place Mall through April 6th.

Bialosky + Partners Architects Cleveland Canstruction Design

February 20, 2013

BPA Achieves LEED Silver for OSU’s Mason Hall Rennovation

Bialosky + Partners Architects teamed with Kallmann McKinnell & Wood Architects, a Boston-based firm with an outstanding international reputation for excellence in design in the last forty years, to design the renovation of Mason Hall for the OSU Fisher College of Business. The project included conversion of library stack and study space into a first floor student resource center with breakout rooms, conference rooms, a reading room and a café, and second floor offices, a learning center, shared flex space for students and temporary workers and multipurpose space for group study, receptions, presentations and symposia. Additional student and staff space was also renovated on the 3rd and 4th floors.

 Some quick facts about the project:

Year of completion: 2012

Total square footage: 31,000

Construction Budget: $4,000,000

Project team: Bialosky + Partners Architects in association with Kallmann McKinnell & Wood

Principal in charge: Bruce Horton

Project manager: Ryan Parsons

Interior designer: Tracy Sciano-Vajskop

MEP: Korda Engineering Inc, a sustainable-minded engineering firm, based in Columbus,OH, who has won over 90 engineering design awards.

Once we got the good news about the LEED Silver Certification, I sat down for a quick Q&A session with our Project Manager, Ryan Parsons, about the design choices and LEED process:

Q: What obstacles or opportunities were unique to the sustainable strategy for Mason Hall?

A: The greatest challenge was coordinating all of the supporting documentation with the many team members involved and making sure the information was formatted properly for submission  and/or translated correctly to the on-line forms.  Constant issues with the use of LEED On-Line with the newest versions of Adobe Reader or Acrobat made this challenge even more difficult.

Q: How fantastic to incorporate recycled content and recycled materials – what are the most special instances of this materiality at Mason Hall?

A: Many components of the project included recycled content – lay-in ceilings, acoustical ceiling plaster, acoustical wall and ceiling panels, metal studs, cabinetry, aluminum windows, structural steel, and de-mountable partitions are just some examples, but one with a “cool factor” was the unique solid surface material comprised of recycled paper with a 100% water-based binder system  used for work surfaces in the Café and Reception areas.

Q: When we think of green buildings, we typically think of systems. What innovative system strategies were put into play?

A: An energy saving lighting control system was provided that automatically adjusts light levels in each space based on the amount of natural lighting the space receives.  The system is flexible in that each space was provided with individual controls to override the system should tasks require more light.

Q: What was the most important take-away from this LEED project that can be applied to future projects?

A: It takes considerable time and effort from all team members to collect and format the information required for LEED Certification.  The earlier everyone starts the process the better.  Coordination and organization are critical in creating a LEED success story.

February 19, 2013

BPA Fights Hunger in 2013 Cleveland CANstruction

Bialosky + Partners Architects is fighting hunger with what we do best - build!

We're participating in Cleveland 2013 Canstruction Design/Build competition which benefits The Cleveland Foodbank during their Harvest for Hunger Campaign. Canstruction, held in multiple cities worldwide, is a national charity of the design and construction industry created by the Society of Design Administration devoted to increasing public perception of hunger through gallery-style sculpture of canned goods in public locations.

With the help of our sponsors last year:

  • Bialosky + Partners Architects raised a total of $4,475!
  • Nonperishable items comprising our sculpture included:  3,645 canned goods and 515 jars of crunchy peanut butter, all of which were donated to the local food bank.
  • After purchasing all required items for our sculpture, we were thrilled to have the ability to contribute a $900.00 cash donation to the Cleveland Foodbank above and beyond our canned goods donation.
  • Our team’s design, featuring the Cleveland skyline, took Honorable Mention accolades in last year’s competition!

 This year, we anticipate our sculpture to consist of 4,000 cans (or cost approximately $4,000). We respectfully request a donation of $250.00 as a company or $50.00 as an individual. However, your generosity at any amount will be greatly appreciated as we try and reach our goal. Your contributions will be recognized on signage next to our sculpture and featured in our Cleveland Design Blog. Please follow the link below to place a donation to help us build our structure!

DONATE HERE! (All donations are requested by March 4th)

Bialosky + Partners Architects 2012 Canstruction Sculpture of the Cleveland Skyline                                                  raised 3,645 cans and $900 for donation to The Cleveland Foodbank.

Our sculpture will be on display at Beachwood Place Mall from March 23 to April 1, 2013.  We kindly request any assistance you could provide by Monday, March 4, 2013. Please accept our gratitude for your time, thought, and consideration. We look forward to the potential collaboration with you for this charitable event.

February 12, 2013

Kent State University College of Architecture and Environmental Design Narrative + Images

Behind the Design: The Competition for Kent State University's College of Architecture and Environmental Design

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  Visit the presentation given to the public by Stephen Cassell + Jack Bialosky, Jr

Below is the design narrative created by the Architecture Research Office +Bialoksy Partners Architects team to help guide the design process for the KSU CAED Design Competition:

A Well-Balanced Architecture

Our  vibrant proposal for the College of Architecture and Environmental Studies (CAED) embodies the College’s pedagogic mission through its design as an integrated work of architecture. The project responds to the 21st century needs of today’s students while supporting the long-term growth and evolution of the College. CAED empowers  future architects who are sensitive to the diverse social, environmental, aesthetic, technical, and political demands required of great buildings. This holistic vision of architectural education links thinking and making. Through its site strategy, program organization, form, structure, mechanical systems, CAED’s new home functions as a daily resource for its students, a national symbol for the College, and a sustainable landmark for the University.

Site and Building

Bridging between the University and the city, the project is the vanguard of future campus growth. In recognition of its pivotal location, the building’s triangular plan strengthens circulation connections to the campus, downtown, and adjacent parking area. This configuration also establishes an efficient internal organization on the ground level with a multipurpose auditorium wrapped by glazed portico gallery/crit spaces, administrative offices, classrooms, fabrication spaces and the library. This is mirrored on the floors above by the studio atrium flanked by wings of studios and offices. Each corner of the plan aligns with a building entrance, creating clear connections to the various programs in the building. The east entrance is the front door of the school, addressing a new arrival plaza from campus that mediates between May Prentice House and the larger scale of the CAED building. This entrance opens onto the multi-functional galleries, the administrative offices, the central auditorium and the great stair that connects to the studio above.  Classrooms, fabrication shop and library  are accessed by the south entrance reached from the parking lot below.  The west entrance, activating the intersection of the esplanade and Willow Street, provides access to the café commons, which is a hub for the portico galleries, classrooms, library, fabrication shop and studio space. Set adjacent to the fabrication shop on the south side of the building, the fabrication terrace is both a work yard for large scale temporary structures and an informal, sunny gathering area.

Community and Individual

The great stair leads to the heart of the building -the studio is a large, daylit space, shared by all students in the spirit of the CAED’s collaborative culture. Enhancing the quality of the work environment, the majority of the studio receives natural light. The overall dimensions and proportions of the studio are set by a regular studio module. Individual studio units are defined by low walls that reinforce the bonds between studio-mates and between professors and students.  Comfortable module proportions enable  countless desk and meeting layouts. Designed to house up to 950 desks, the studio’s loft-like  openness, proportions and rational layout of structure and services provide a great degree of flexibility. Two story crit spaces, with tiered steps for seating, are carved out of the corners of the studio and link studio trays. Support spaces such as the computer lab and printing areas  are distributed to efficiently serve the studios. The studio is the functional hub of the building and all other spaces are conceived in relation to it.  The fabrication shop and library are clearly linked to the studio, fostering the students’ creative process of design. Along the south side of the building, a bar of faculty/staff offices on the third floor defines one side of the studio.  This adjacency fosters collaborative work within the faculty circle  mentoring between faculty and students.  Small surrounding spaces then become opportunities not only for students to exchange, but also integrating faculty. The upper level of the studio connects to a small terrace on the green roof, allowing a serene setting for gathering inspiration and refreshing.

Context and Distinction

The building expresses its relationship to its context and to the dynamic activities inside.  Stepped public levels at grade, tied to the slope of the site, enliven the esplanade with glazing to the east, north and west. Wrapping the south and west portions of the building at ground level, buff colored brick walls connect to the palette of nearby campus buildings. Poised above the glass and brick walls, the main studio volume is clad in a finely scaled pattern of warm gray panels of precast ultra-high performance concrete, emulating the limestone used on older structures. Within an overall regular module, the panels have varying opacity, patterns and folds that provide shade, create areas of greater transparency and register the spaces. At night, punctuated by apertures and glowing like a lantern, the paneled skin reveals the activity within.

Sustainable Strategies

Sustainability is integral to the design of the building, which targets a LEED platinum rating through a combination of pragmatic and innovative techniques. The building volume itself, consisting of narrow wings wrapping a central space, is compact and helps optimize the ratio of enclosed area to envelope while maximizing access to natural light. Organized around this three story atrium, the majority of the studios are top lit by a field of skylights.  A prefabricated, thermally efficient panel wall system is used for the construction of the exterior envelope. The overall area of openings in the exterior envelope is calibrated to reduce heating loss.  The building skin includes windows and glazing in response to daylight and views while providing shading to reduce solar gain and glare. The green roof helps to insulate the building, reduce cooling demand and capture storm water. Materials such as locally-sourced brick and reinforced concrete with recycled fly-ash, the exterior skin’s ultra-high performance cementitious panels, composite EPS/metal exterior wall framing, and green roofing system minimize transportation carbon emissions and help to stimulate the local economies. The ultimate objective for the new CAED center is for architectural students to conceive buildings not just as environmentally controlled volumes, but to view buildings and their inhabitants as living, adapting systems where the building learns from the occupants and the occupants learn from the building. There walls and enclosed spaces will transform into didactic classrooms, expressing each individual micro-environment and each working systems individual responsibility and symbiotic relationships. In concert with these architectural strategies, a hybrid HVAC system provides highly efficient geothermal cooling and supplemental heating sized to meet demand for all but peak periods (90% of time).   The geothermal system is supplemented with a water source cooling tower and high efficiency chiller that will serve as the stop gap for the remaining 10% and any unusual demand spikes. The secondary on-site cooling tower will provide efficient cooling, while minimizing potable water use through the implementation of a captured and stored grey water system. For demonstration purposes a small photovoltaic system consisting of several different types of photovoltaic arrays will allow students hands-on exposure to working onsite renewable energy systems.  In addition, the green roof has been designed to be PV-ready, so that in the future a photovoltaic array could be added when market costs and technological advancements justify the investment.

Rigorous Details

The architecture is itself conceived as a teaching tool.  Structure, mechanical systems and materials are exposed to view and expressive of their purpose.  Durability, flexibility and economy are essential.  The spacing of the steel frame structural system is set by the dimensions of the typical studio module. Inclined queen post cable roof trusses are kinked in response to the folding roof geometry, with variable depth based upon their span.  The concrete floors are cast in place, with an acoustical steel deck integrating channels for attachment of pipes, ducts and conduit.  Applied finishes are used sparingly in favor of concrete block shaft walls, homosote tackboards and other robust materials. To control noise within the studio while maintaining visual continuity, glass railings to the three story space create sound shadows and direct sound to the acoustical ceiling deck.

The Art of Balance

The CAED schools its students to embrace architecture through both sides - the technical and the poetic. As fellow believers of this ideology, this proposal embodies a balanced and exciting intent of such opposite poles, not merely coexisting, but marrying. A hunt for balance between the practical approach to sustainability and model of exemplary architecture, the mediation between an institutional scale and a residential scale, and the examination of a new and exciting architecture in the context of value/economy all weigh in on the final design. A balanced design, one that celebrates both the tectonic and creative integrity, now more than ever, becomes the way forward in this new integrated era of architecture. [AFG_gallery id='3']

February 5, 2013

Transforming the Bridge – Cleveland Design Competition Exhibit

Cleveland Competition Photo The Cleveland Design Competition has partnered for the second time with Colonial Marketplace (5th Street Arcade) in downtown Cleveland. This year’s exhibit includes an entry from one of BPA’s very own Hallie DelVillan!  Only a limited amount of submissions have been selected for display from January 21st-February 28th. The online exhibit for the Cleveland Design Competition is continually being updated, but feel free to check out Hallie’s entry, along with some others, here: http://clevelandcompetition.com/portfolio/2012-transforming-the-bridge-12136/